The air was tense at a crowded pre-submission community meeting Thursday in western Howard County, where attendees discussed the impact and future of a go-kart track built on private property that has residents going in circles.

Howard County resident Charles Siperko built the half-mile long track for his son on a portion of his home’s 11-acre property at 6717 Mink Hollow Road in the rural suburb of Highland. His son has dreams of becoming a race car driver and participates in the sport of go-kart driving like other children participate in swimming, soccer, or baseball.

Siperko neglected, however, to obtain the required permits from Howard County and the Maryland Department of the Environment (MDE) to build the track. His neighbors are putting up a fight, and many want it removed. The family has retained prominent land attorney Sang Oh to help navigate the process of saving the track.

The family filed a conditional use application for the racetrack retroactively, asking the county to consider the track an “athletic facility,” though go-kart tracks don’t currently fall into that category legally. They’re also promising not to use the track until the Department of Planning and Zoning (DPZ) issues a decision.

The meeting was informational in nature only, as decisions on next steps can only be made at the DPZ level. Residents who aren’t demanding the track’s removal want mitigations for noise and visual impacts and potential repercussions on the neighborhood’s wetlands. Some even went so far as to ask if he was planning to build a helipad on the property, as Siperko owns a helicopter and used it to bring his son to school. Siperko denied any plans for building a helipad on his property.

Siperko, in the application, offered to limit the hours of use to six days per week and only the afternoon/early evening hours. They pledge the racetrack will be kept private, will not be used for parties, and will be limited in use to the father, son, and coaches. They will also move part of the track to comply with the 100-foot buffer between properties required by the county. The family also promises no lighting will be added (ensuring no nighttime use) and to limit the use to electric motors only.

Residents claimed the engine is not the source of the noise they heard on the one day the family used the track, but the tires. One resident expressed concern about the microplastics shed by the tires on the surrounding wetlands, and others agreed.

While the Maryland Department of the Environment has jurisdiction over wetlands, Oh said the family’s application with MDE is on hold right now because it does not want to rule on a case in which DPZ may decide the track needs to be removed entirely. Oh expects a hearing with the DPZ to take place in the late February/early March timeframe.

This is the second such meeting because Siperko and his family were in Italy for a race in which their son was participating when the first pre-submission community meeting was held. The second meeting was scheduled so that Siperko could be there to hear from his neighbors and participate in the discussion.

The controversy has even attracted the attention of documentary filmmaker Scott Evans. Evans grew up in Howard County, and is doing preliminary work on a potential documentary about this dispute between neighbors.

“I grew up in Howard County and actively participated in both sports and environmentalism,” Evans told Fishbowl in a message. “After reading articles about the track on Mink Hollow Rd, I felt like there’s an interesting debate unfolding here on land rights, environmental impact, and creating safe spaces where kids can explore their sports interests. I want to hear all sides of this and plan to reach out to the community and interview anyone that wants to share their side of the story.” 

Nearly all who spoke at the meeting argued against the track, though degrees of animosity toward it varied. Some went so far as to insult Siperko’s parenting directly. Most, though, focused on the impact of the racetrack on their quality of life, property value, and the environment.

“It’s so frustrating,” said JoJo Lerner, a resident who also lives on Mink Hollow Road. “He said he Googled, and he didn’t see that he needed a permit for this. But it wasn’t just that. He didn’t talk to any of his neighbors. He didn’t tell anyone…. It definitely lowers the value of everyone’s property around it, because who wants to live right next to this go-kart thing?”

Colin Porter, another Highland resident, would like to see the county and/or state invest in a go-kart track like the one Siperko built so that other kids could have access to learning the sport. “These motor sports are certainly underserved,” he said. “We haven’t had a racetrack in this area since they closed Beltsville Speedway.”

Neither Siperko nor Oh would comment for Fishbowl’s article, citing the case being ongoing.

The Harbor Harvest Children’s Fall Festival will return for its 17th year on Sunday from 10 a.m. to 3 p.m. at Rash Field Park. Families are invited to enjoy pumpkins, pony rides, and a petting zoo while dressed in their favorite Halloween costumes for a day filled with fall festivities.

Children can explore a pumpkin patch; dive into hay piles; and, for a small fee, enjoy pony rides, petting zoo animals, a trackless train, and carnival rides. There will be a pie-baking contest, and participants will compete for both the People’s Choice Award and the Judge’s Choice Award.

Enjoy the costume contest, where participants can win ribbons and prizes, and get some great exercise with a fun climb at Rash Field’s Adventure Park or enjoy the scenes at the BGE Nature Park!

Local food vendors will be on-site for the event.

Admission to the festival is free, and select activities like pumpkins, pumpkin decorating, fall crafts, and more are included at no cost.

With the purchase of a Harbor Harvest Children’s Pass, attendees can enjoy additional activities, such as mechanical rides, pony rides, a trackless train, and other attractions. The Children’s Pass is available in advance for $12 or at the event for $15.

For those interested in specific activities, individual tickets can be purchased on the day of the event for $3 each. Participation in the pie baking contest is free, with advance registration available on Eventbrite. For the costume contest, sign-ups will take place on the day of the event.

Rash Field Park is located at the Inner Harbor, Baltimore, MD 21230.

For more information and to purchase tickets, visit this link.

In the event of inclement weather, all proceeds will go towards children’s programming at Rash Field Park. All Children’s Pass items (pumpkin, pumpkin decorating, and fall craft) will be available to pick up at a determined date.

CareFirst BlueCross BlueShield this week opened its approximately 20,000-square-foot West Baltimore workspace at The Village at Mondawmin.

In a ribbon-cutting ceremony Wednesday, officials marked CareFirst’s dedication to community-centered healthcare and economic empowerment. The new workspace represents CareFirst’s commitment to West Baltimore, serving as a community hub for health and wellness resources, workforce development programs, and support services for residents.

“Completing this project marks a significant moment in our mission at CareFirst as we continue to invest with the communities we serve,” said Brian D. Pieninck, CareFirst’s president and CEO. “In partnership with leaders from Coppin State University, Center for Urban Families, and Whiting-Turner, who share our strong belief in West Baltimore’s future, we understand success comes through being led by the community. The center’s vision is built around community voices, community talents, and community dreams.”

CareFirst’s novel workforce development initiative launched in 2023 in partnership with Coppin State University and the Center for Urban Families. The program’s focus is to create economic growth and opportunities for West Baltimore residents living in the 21215, 21216, and 21217 zip codes.

The initiative recruits and trains residents for jobs in the healthcare industry, from customer service to community health advocacy and beyond. Choosing The Village at Mondawmin as the location for the workspace helps address common barriers to employment, like transportation and childcare.

The community hub and resource center give residents access to free fitness and health education classes, in addition to help from CareFirst team members on billing, claims, benefits, and more. This in-person support helps current and new members and addresses the neighborhood’s health equity needs. Additionally, the resource center offers programs ranging from home-buying courses to legal education.

“We are proud to see our vision for The Village at Mondawmin come to fruition with CareFirst as a vital partner in this important project,” said Tim Regan, co-owner of The Village at Mondawmin and CEO of The Whiting-Turner Contracting Company. “We are working hard with our community partners to revitalize West Baltimore and enhance the quality of life. By attracting meaningful tenants, a dynamic community hub that addresses critical needs and unlocks opportunities for growth is being built. We look forward to continuing our collaboration with CareFirst and community leaders to ensure this space serves as a catalyst for positive change.”

“Our collective aim is to build safer, vibrant communities across Baltimore,” said Mayor Brandon M. Scott. “The commitment and involvement of CareFirst in West Baltimore is a shining example of the transformative change that can be generated when community organizations and leaders unite. When we harness our collective strength, we can effect meaningful change that benefits our region and its residents.”

“Baltimore will lead Maryland into a new decade and partnerships that contribute to our shared progress are crucial to that mission,” said Gov. Wes Moore. “I want to commend CareFirst, Coppin State University, and the Center for Urban Families for their innovative workforce development program, along with all the organizations in The Village at Mondawmin. Today, we are not only celebrating the continued success of the workforce development program and the new CareFirst workspace; we also recognize the potential, resilience, and power within a revitalized, healthier, and thriving West Baltimore.”

CareFirst members and non-members are encouraged to check out programming as it is shared at CareFirst or Eventbrite. Initial grand opening events include a Medicaid Made Simple Class on Oct. 28 and a Holistic Childbirth Class on Nov. 2.

The National Organization of Minority Architects (NOMA) has chosen Baltimore to host its annual conference, bringing together more than 1,500 minority architects from around the country for a five-day summit in Charm City.

The 12 local young architects organizing the conference will highlight the housing, entertainment, and community projects making Baltimore the unique and exciting city it is for learning, living, and exploring.

The annual meeting takes place from Wednesday, Oct. 23 – Sunday, Oct. 27, 2024 and is sold out. NOMA is a 50-year-old organization with 25 chapters around the United States. Baltimore’s chapter began in 2017 with just five members and boasts over 100 members today.

In addition to attending sessions designed around the topics of design; technical; community and justice; business; and “Hey, Smalltimore!”, there will be numerous networking events held around the city and keynotes featuring esteemed and groundbreaking minority architects on topics as broad as bridging continents to focused topics like underserved communities in Baltimore.

“With over 45-chapter cities to choose from to host our national conference, we are excited to be in Baltimore to honor its place in design history as well as it’s emerging community-inspired design programs. It is in cities like these where we want to gather, exchange local ideas that can make a national impact, and lift up our mission and members,” said Tiffany Brown, MBA, NOMA, Assoc. AIA, NOMA Executive Director. “From the Reginald F. Lewis Museum of African American History and Culture – designed by our former NOMA architecture colleague Philip Freelon, to the legacy of Morgan State University as the only Historically Black College and University in Maryland where we have an amazing student chapter, we are pleased to be here, engaged with the emerging design leadership in Charm City.” 

Some of the networking events include a private White House tour; a reception at Reginald F. Lewis Museum of Maryland African American History and Culture (designed by Philip Freelon, a late NOMA member, after whom the professional design awards are named); a graduate fair expo with 70+ exhibitors; tours around Baltimore including the Baltimore Art Museum, Lexington Market, Camden Yards Sports Complex Stadium Tour, and more.

The NOMA Awards Banquet will be held on Friday to honor exceptional leadership, elevate NOMA members moving to the NOMA Council (NOMAC), and recognize award-winning work of NOMA professional and student members. These awards are sponsored by national architecture firms HDR, SOM and Stantec.

Over 80 firms applied to this year’s Phil Freelon Professional Design Awards. Baltimore is home to several buildings designed by Freelon and his firm, including the Reginald F. Lewis Museum, and the Center for the Built Environment and Infrastructure Studies (CBEIS) at Morgan State University, the only Historically Black College and University (HBCU) in Maryland with an accredited architecture program.

Melanie Ray, president of NOMA’s Baltimore chapter and the northeast university liaison for NOMA’s national board, spoke to Baltimore Fishbowl about some of the architectural design trends, their emphasis on design justice and accessibility, and what NOMA is doing to increase architecture studies to HBCUs nationwide.

Ray explained that attendees of the conference do not have to be members.

“We do have a lot of our conference attendees this year are either sponsors or allied professionals,” she said. “In some cases, they’re allied individuals who just support the mission of the organization to truly champion diversity within architecture and related professions.”

Since Ray sits on both the local and national boards of NOMA, she was able to speak to the organization’s involvement in HBCUs on both levels. Locally, NOMA partners with Morgan State University, since it has an architecture program (the student chapters are called NOMAS) and over 20 Morgan students are attending this year.

“We partner with them throughout the year,” Ray explained. “We co-host events with them. We invite them to our organization’s events. We do portfolio reviews. We really try to ensure that our NOMAS members have a direct connection to the professional community within Baltimore, so that when they graduate, they’ve got a job, they’ve got connections and mentorship.”

Beyond Morgan State University, NOMA has student chapters at all seven HBCUs that have architecture programs. NOMA has an HBCU professional development program that partners students with professionals for virtual membership opportunities. Additionally, this year, national president Pascale Sablan will visit all seven of the HBCUS with architecture programs.

Ray said NOMA approaches everything through the lens of design justice when it comes to accessibility, affordable housing, and planning. Since she does work in affordable housing, and those projects are federally funded, the emphasis is on universal design as the basis for all spaces. Universal design, according to the National League of Cities, “prioritizes usability by all people, to the greatest extent possible, without the need for adaptation or specialization.”

“There’s actually seven key features as it relates to universal design, and we’re seeing more and more jurisdictions incorporate this into their design requirements for new buildings,” Ray said. “We are seeing a heavier focus on designing spaces that accommodate everyone, without heavy adaptation or changes that often make people feel like these changes are inconveniencing other people or going above and beyond. But if you design spaces from the beginning to be accessible to all, then you don’t have to worry about that being an afterthought later.”

Speaking about justice, Ray exuded enthusiasm for kicking off the Baltimore NOMA conference at the Reginald F. Lewis Museum of Maryland African American History and Culture. “It’s a really iconic building, from the outside, the graphics, even to the ‘Black History Matters’ letters that are on the front,” Ray said. “Just kind of really highlighting that as the keynote of the conference.”

Who says the entertainment of terror must be limited to October? Not the “Insidious” films; they are here for your horror needs year-round and even on stage at The Lyric Baltimore on March 13, 2025.

That’s right, the world of “Insidious” jumps off the screen and into the theater with “INSIDIOUS: THE FURTHER YOU FEAR” — a live, immersive horror experience based on the box office hit horror film franchise from Blumhouse, director James Wan, and writer Leigh Whannell. The show will haunt 80+ seated theaters across North America in 2025.

Blumhouse, GEO Live, Sony Pictures Entertainment, and RoadCo Entertainment promise “INSIDIOUS: THE FURTHER YOU FEAR” will be “a heart-pounding live theatrical experience where the lines between reality and fiction blur, constantly challenging what’s real and what’s imagined, what’s safe and what’s dangerous.” No fourth wall keeping or protecting audience members from the terror. Be prepared to go face-to-face with the protagonists. The audience will be an integral character in the plot as it unravels.

“We have brought some of the most respected names in the horror and entertainment industries together to make this groundbreaking show possible and ensure a hauntingly unforgettable experience for audiences everywhere,” said Floris Douwes from GEA Live.

“We’re excited to bring the eerie and otherworldly thrills of ‘Insidious’ to cities around the country,” said Toby Park, co-director. Park is also composing the original music for the show, and he and co-director Aitor Basauri serve as creative directors for “INSIDIOUS: THE FURTHER YOU FEAR.”

“Bringing audiences deeper into The Further with this live experience has been an exciting challenge, and I’m really looking forward to seeing how they respond,” said Jason Blum, founder and CEO of Blumhouse. “Insidious is one of our most popular franchises, with a sixth installment premiering next year, and this is a fresh and frightening new way for fans to experience it.”

“INSIDIOUS: THE FURTHER YOU FEAR” is a brand-new story conceived within the “Insidious” universe. The “real” Specs and Tucker (the paranormal investigators who inspired the first movie) try desperately to prove they are legitimate ghost-hunters. Things go ghastly (or ghostly?) wrong when a paranormal demonstration goes awry, and dark forces are unleashed. Trapped in this haunted theater, with something sinister lurking backstage, the audience will be under attack from iconic characters like the Bride in Black, the Wheezing Man and, of course, the terrifying Lipstick Faced Demon. Audience members will be questioning what is real, what is the show, and who really IS that person they’re sitting next to?

While the “Insidious” franchise has a growing fanbase and active community of five million social media followers, the show is also created for those who don’t know the films and especially for those who simply love a fun, thrill-filled night out at the theater.

Tickets for “INSIDIOUS: THE FURTHER YOU FEAR” go on sale Friday, Oct. 25 at 10 a.m. at The Lyric Baltimore, Etix website, or in person at The Lyric Box Office.

The Lyric Baltimore is located at 140 West Mount Royal Avenue, Baltimore, MD.

It’s fall, and that means time for warm, spicy chili on the weekends. Add fundraising for a great cause, and Baltimoreans can enjoy  The Baltimore Station’s 10^th annual Stars, Stripes and Chow: Chili Edition!

Presented by M&T Bank and taking place Nov. 2 at Oriole Park at Camden Yards, this chowdown for charity brings talented home chefs from all over Maryland together to showcase their finest chili creations. The cookoff is dedicated to raising funds for unhoused veterans.

The event features a competition between teams across Maryland. This year’s teams are M&T Bank, Fuchs NA, MartinFederal, Maryland Multi-Housing Association, Baltimore Gas and Electric, WPG Financial Group, The Nelson Family, Peraton, T. Rowe Price, Element Fleet, Jimmy’s Famous Seafood and Society of American Military Engineers. The event is family friendly and will have a kids’ zone with fun activities in addition to live music, food, beverages, raffles, a silent auction, and more.

Attendees can cast their vote for “People’s Choice” and “Best Theme,” and a panel of judges representing each military branch will crown the “Judge’s Choice” champion.

All proceeds from this event will benefit The Baltimore Station, an organization that supports people, primarily veterans, dealing with being unhoused and with substance use disorder. The Baltimore Station provides residential therapy and workforce development programs.

To celebrate the fundraiser’s 10^th anniversary, tickets will be the same price they were in 2014, the first year of the event: $40 for adults, $35 for veterans, active duty, and first responders, $20 for young adults ages 11-20, and free for children 10 and under. Special 10th-anniversary pricing will last until Oct. 25. After that, ticket prices will be $50 for adults, $40 for veterans, active duty and first responders, $30 for young adults ages 11-20 and free for guests 10 and under.

The Stars, Stripes and Chow: Chili Edition takes place Saturday, Nov. 2, 2024, from 1:00 p.m. to 4:30 p.m. at Orioles Park at Camden Yards, 330 W. Camden Street, Baltimore, MD.

To learn more and purchase tickets, click this link.

It was all hands on deck at Maryland Public Television studios on a sunny Saturday afternoon in October, with staff and volunteers ready to handle the flow of hundreds of guests bringing their treasured artifacts for appraisal for the taping of the 12th season of MPT’s “Chesapeake Collectibles.”

After all, it’s not every day one sees armor from the 17^th century, or telegrams signed and sent by President Theodore Roosevelt.

“Chesapeake Collectibles” is an MPT program similar to “Antiques Roadshow” but for Marylanders. The guests and appraisers are Maryland-based, and many of the items are either Maryland-themed or of Maryland origin. The tapings take place over a two-day period, so over the course of the weekend the “Chesapeake Collectibles” team expected to see around 450 guests come through with around 1,500 items for appraisal. Each ticket holder was permitted to bring one guest, and each person could bring three items for appraisal.

While each item likely holds incalculable sentimental value for its owner, very few people learn their possessions hold life-changing monetary value. Patrick Keegan, executive producer for MPT and “Chesapeake Collectibles,” determines which people and pieces get filmed and ultimately which make it into an episode of the show. Keegan told Baltimore Fishbowl that over the course of the weekend, appraisers saw two items that were each worth in the vicinity of $250,000.

“They are both remarkable items of historical interest,” wrote Tom Williams, MPT’s senior managing director of communications. Naturally, they would not reveal what the items were — we will have to watch the series to find out.

When a guest arrives, they check in with an appraiser who takes a quick look at their item to determine into which category their items fall, like jewelry; pottery, porcelain, and glass; toys and amusements; generalist; drawings and paintings; furniture and decorative arts; rugs; books and manuscripts; memorabilia and ephemera; and more. The guest receives a ticket for that category, then sits in a waiting area until it’s time for the next group to enter the appraisal area.

The appraisal area is where the magic happens. Tables line the perimeter of the room with appraisers sitting in front of large banners announcing their categories of expertise. Guests find their tables, and (usually) must wait in line to learn about the item(s) they’ve brought in.

Marilyn brought her grandmother’s engagement ring to get assessed, but this was not her first time attending a “Chesapeake Collectibles” event. She’d come at least once before pre-COVID, before MPT had renovated their Owings Mills studios to be large enough to accommodate the show’s tapings. They’d held the tapings at Turf Valley before renovations.

John brought the aforementioned telegrams from President Theodore Roosevelt. His great-grandfather was head of the telegram office in St. Thomas, and Roosevelt sent the telegrams in 1906. There were some of personal nature and others that were on matters of official government business.

Other items of note included the upper portion of a suit of armor Keegan surmised was from the 17^th century, likely from the English Civil Wars. The Royalists loyal to King Charles I were known as the Cavaliers, and the Parliamentarians loyal to the Westminster Parliament were known as the Roundheads. They fought in the first major battle on English soil in October 1642. This piece of armor appears to have belonged to a member of the Roundheads.

Another gentleman brought in Tom Clancy memorabilia, but the items were not the only things of interest to Keegan.

“The people who own the items we see are often just as interesting as the items themselves,” Keegan wrote in an email to Fishbowl. “One such example was a collection of correspondence, first editions, and movie memorabilia related to Baltimore native, Tom Clancy.”

Keegan continued, “Clancy’s novels are acclaimed for their technical accuracy, and among Clancy’s technical advisors was Craig, a physician from Calvert County in southern Maryland. Craig discussed his collection of Clancy memorabilia with Chesapeake Collectibles’ books and manuscripts appraiser, Allan Stypeck, who coincidentally handled Tom Clancy’s estate following his death in 2013.”

Around 5% of the items get filmed for segments, though not all segments filmed make the final cut of episodes for the season. And as on “Antiques Roadshow,” when a person and their item is chosen for filming, they aren’t told what the value of their possession is until the filming itself. Their reactions that television audiences see in the episodes are completely real and genuine. They are watching the people on the show truly learn about the value for the first time.

After a guest has received their appraisal, whether they were filmed or not, they are invited to answer questions on camera about their experience. This takes place in the Testimonial Studio in Studio B, which is in the original part of MPT studios. Guests are asked about their experience from start to finish about the show, and they have the chance to talk about what they enjoyed or didn’t enjoy about the process.

“Studio B mostly is used as our on-air fundraising or pledge set,” said Ethan Staple, assistant producer at MPT. “So, four times a year, we have our on-air fundraising drives, where we raise money for the station. On the right is our phones and our computers, where our volunteers sit, and then we have the actual pledge set, where our talent stands.”

Studio B is also where they film “MPT and Your Community” and “MPT Arts Minute.” They also bring in people for interviews. They had a project called “The Maryland Oral History Project” where famous Marylanders were interviewed, sometimes by other famous Marylanders. Staple is especially proud of getting former Senator Barbara Mikulski to be interviewed for the project in 2023.

Incidentally, these are all areas visitors can see on tours offered by MPT for individuals and groups. Studio B, the sets, control rooms, and more are available free of charge with proper advanced notice and arrangement, though donations are appreciated. On MPT’s website, click on “Community” and find the “Station Tours” section for more information.

As for Chesapeake Collectibles, Patrick Keegan and his team have their work cut out for them. They must now cull approximately 80 segments they filmed down to around 40, and from that, piece the remaining together into 13 fluid episodes that make it onto our TVs and streaming devices for audiences to enjoy.

While taping for Season 12 of Chesapeake Collectibles is over, there is always next year! Keep current on news of when Season 12 will premiere, and when taping will take place for Season 13 on MPT’s Chesapeake Collectibles page by clicking this link.

Pride of Baltimore II will host a festival celebrating the lives of sailors and the art of tattooing on Saturday from 11 a.m. – 4 p.m. on Fells Point Broadway Pier.

Sailabration: Sailing Traditions in Ink explores and explains the connection between sailing on the high seas and tattoos. This inaugural event is free and family-friendly.

“Learn about sailors and life at sea as the festival highlights the history and art of tattooing, presented by the Baltimore Tattoo Museum or experience ‘hand poke tattooing’ with a live demonstration aboard the ship,” reads the press release. March along to performances by the Fort McHenry Fife and Drum Corps, and enjoy The Marching Elite and Ship’s Company Chanteymen, who will provide nautical music from the 1700s and 1800s.

Drink grog, sample “hardtack,” and partake of other activities that will give you a taste of what life on the high seas was like in the 18^th and 19^th centuries.

The Pride of Baltimore II is a historically evocative reproduction of one of the most famous War of 1812 privateers, Chasseur. A privateer is a private ship or vessel that is engaged in maritime warfare, commissioned by a government. Pride of Baltimore II (and Pride of Baltimore I before her) has provided more than four decades of education and fostered economic development and tourism in Maryland.

The Fells Point Broadway Pier is located at 920 S. Broadway, Baltimore, MD. For more information about this Sailabration event, click this link.

Bon Secours Community Works will dedicate their Community Resource Center to the late U.S. Rep. Elijah Cummings.

In celebration, they’re hosting an event Thursday at 3 p.m. open to the community, featuring music, dance performances, refreshment, and family-friendly activities.

Cummings served as the congressman from Maryland’s 7^th Congressional District from 1996 until his passing in 2019. His family members will attend with George Kleb, executive director of Bon Secours Community Works, as the Anchor Group unveils a commissioned sculpture that honors his legacy and commitment to the residents of West Baltimore. Sculptor Frederick Hightower will also be in attendance.

The Community Resource Center opened to the public in West Baltimore in 2022. It was specifically designed by and for residents of West Baltimore, focusing on youth services, workforce development, and economic development for the neighborhood. The center also offers a variety of walk-in and scheduled programming for youth and adults.

In addition to the performances, refreshments, and activities, guests will be able to tour the Community Resource Center following the dedication program. They can learn about available programs and services, connect with one of Bon Secours’ partner organizations, and enjoy the local arts and culture with neighborhood friends.

There will also be an open call for small, meaningful West Baltimore-related items to be placed in a time capsule at the Community Resource Center, which will be sealed in January 2025.

The Bon Secours Community Resource Center is located at 31 S. Payson St., Baltimore, MD.

Parking at the Maryland Zoo has historically been, well, a zoo. Until now, that is! The Zoo has completely overhauled its parking lot to provide what they’re calling a “superior experience” for guests, whether people drive, bike, or walk to see their favorite creatures and critters.

The new lot includes a variety of improvements, like a state-of-the-art system to filter and store rainwater in underground tanks, taking pressure off the Jones Falls during major storms. There are new signs directing and educating visitors about the Zoo’s conservation programs. The new elevated crosswalk improves pedestrian safety between the parking lot and the main entrance to the Zoo.

The concrete paving material used on the new parking lot is lighter in color, reducing the ambient temperature in the summer by as much as 10-15 degrees compared to asphalt on hot days. The downward-facing smart lighting decreases light pollution and electricity usage by dimming automatically when no one is around.

For Baltimore’s thriving bike community, there is new, covered bike parking with equipment to inflate tires and do minor repairs. The large number of newly-planted native trees have permeable paving and special aeration matting, protecting existing trees and promoting future growth.

“The previous parking lot surface had become too difficult to navigate and we wanted to have better water runoff controls,” said Kirby Fowler, Maryland Zoo President & CEO. “Our guests and visitors to Druid Hill Park let us know we needed to provide something better, and the new lot does just that.”

The new lot will reduce energy and water consumption and incorporate green practices into all facets of the Zoo’s management and operations, fulfilling part of their Sustainability Plan.

The brick pavers that covered the old parking lot were considered cutting-edge at the time they were installed in the 1970s. Their intended ability to allow rainwater to seep into the ground, though, deteriorated over the years, creating problems with rainwater runoff rather than solutions. The damage from potholes and ruts further made navigation difficult for anyone with a wheelchair, stroller, or even simply walking.

“The lot isn’t just better for motorists, cyclists, and pedestrians, the downward facing lighting makes it better for migrating birds, and the rainwater collection system makes it better for the environment,” Fowler said.

The Maryland Department of Human Services has agreed to address the systemic discrimination against people with disabilities that resulted in lack of access to benefits from Maryland’s Temporary Cash Assistance (TCA) Program.

The settlement between the U.S. Department of Health and Human Services (HHS Office for Civil Rights (OCR) and the Maryland Department of Human Services (DHS)  resulted in the Voluntary Resolution Agreement announced on Oct. 10, and covers all DHS programs that receive Federal financial assistance from HHS.

The settlement is a result of an investigation that lasted over a decade, during which the Homeless Persons Representation Project (HPRP) represented numerous families in disability discrimination complaints against Maryland DHS.

Michelle Madaio, HPRP’s Director of Economic Justice, told Fishbowl that TCA is the state-level program for administering the federal cash assistance program, TANF (Temporary Assistance for Needy Families). If a person applying for or receiving TCA in Maryland feels they’ve been discriminated against for any reason, like race, ethnicity, national origin, religion, sexual orientation, or disability, they can file a discrimination complaint at the federal level with HHS’ Office for Civil Rights.

“Because OCR got several complaints from different families in Maryland, they conducted a several years-long investigation into discriminatory practices,” Madaio said. “They reviewed the Department of Human Services policies procedures; they looked at the individual cases. They did a systemic review of practices in Maryland, and this voluntary resolution agreement is the culmination of that decade long investigation.” The investigation began in 2011.

The families represented by HPRP experienced disability discrimination in violation of federal law, according to evidence identified by HPRP. As a result of the DHS violations, Maryland families living with disabilities endured frequent benefit reductions and terminations, leading to or exacerbating food and housing insecurity, homelessness, and health consequences.

The families allege that Maryland DHS:

• Failed to appropriately screen individuals for disability-related services and provide accommodations;
• Lacked effective methods to document, track, and monitor approved accommodations;
• Lacked effective methods of communication with individuals with visual impairments, learning disabilities, and cognitive impairments;  
• Lacked adequate assessment process to determine whether individuals with disabilities required accommodations in the work program;
• Refused to accommodate work program participants with disabilities; and
• Lacked policies and procedures to assess if a disability-related accommodation should be provided prior to reducing or terminating a benefit.   

“It is hard for people with disabilities to get benefits at the Department,” said Kenyaree Slater, a parent who filed a complaint. “They always second guess what we say and we have to go to so many doctor appointments to prove to the Department that we need an accommodation. I am happy that they will make accommodations now, but feel like that is something they should have done long ago. Better late than never.”  

Madaio said the agreement will have statewide impact and overhaul their programs to make services and benefits easier for people with disabilities to access.

“The department is going to have to revise and reform their regulations, their policies, their grievance procedures, do training, [and] come up with new assessment tools,” Madaio said.

Under the Agreement, DHS agreed to take corrective actions under OCR monitoring for a three-year period to ensure people living with disabilities have equal and meaningful access to benefits and services, including: 

• Amend DHS regulations, policy manuals, grievance procedures and training materials to comply with the Agreement and federal law;
• Modify DHS’ automated case record systems to identify and track disabilities, monitor accommodations, and alert staff prior to taking adverse action to reduce or terminate benefits when an individual with a disability requires an accommodation; and
• Develop a comprehensive statewide assessment tool that can identify whether an applicant has a disability that impacts their participation in program requirements.

“This is a big deal. I am so grateful that they are considering people with disabilities now.  Because our experiences are unique, accommodations are necessary,”said Lynnette Blackmon, parent who filed a complaint.   

Nearly 28,000 Maryland families receive TCA. Most are Black (67%), headed by women (86%), and have young children under the age of 13 (85%.) The program is a critical antipoverty resource for families with children, though the benefit is hardly extravagant: $575 for a family of two. But for a family experiencing houselessness, it is often the only income available. For parents who can work, TCA has a work requirement so inflexible as to exclude people with disabilities, since necessary accommodations aren’t provided.

“Many people like myself can’t work because of a disability, but were told in order to get TCA they had to work a certain number of hours per week and their benefits will be cut if they do not,” recalled another parent who filed a complaint. ”I am glad the Department will now look into other ways to support people with disabilities who are applying for benefits.”

Read the OCR press release here.

MCB Real Estate, Midtown Baltimore, and Bloom Arts Strategy have partnered to launch the Fitzgerald Activation, which will transform the unoccupied retail space at The Fitzgerald into a creative hub and economic engine for Baltimore this fall.

From October to December 2024, local artists and cultural organizers will offer a diverse lineup of arts-based events and activities at The Fitzgerald, located at 1201 W. Mt. Royal Ave. The Fall 2024 Artistic Partners include Wordsmith and Rise with a Purpose, Ernest Shaw, Kelly L. Walker, M.A.G.I.C. Center of the Arts, Birch & Pen, Oh to Dream, The Stylette, and Good Quemistry.

The Fitzgerald Activation provides artists and makers with access to the space and resources for free. They may use the space to rehearse, perform, create, and connect with the community. Some groups are offering recurring events, and some are offering one-time-only experiences. Genres include music, dance, theater, spoken word, fashion, film, visual art, and more.

“As a community-focused developer and investment firm, we know how arts, entertainment, and culture enhance the health and vibrancy of a city. In Baltimore specifically, we’re excited to elevate The Fitzgerald with these offerings and take pride in shaping places that serve as strong foundations for thriving communities,” said Louis J. Kousouris III, Managing Director of MCB Real Estate.

The Fitzgerald Apartments, in Baltimore’s Mount Vernon neighborhood, are steps from Penn Station and the Light Rail, offering easy access for artists and public spectators in the Station North Arts District. The idea to offer artists free access to unused retail space was conceived in August 2023, with plans taking shape in early 2024. Nearly 50 local creatives submitted proposals to the open RFP issued in spring 2024. Of the applicants, 42% were small businesses and 63% of those businesses were led by BIPOC women.

“In addition to providing opportunities for artists to engage the community with their work, the Fitzgerald Activation offers Baltimore’s creative entrepreneurs a unique, low-risk opportunity to test ideas as a proof of concept, build their audience base, and fine tune their business models,” reads the press release.

“We know that artists lack access to affordable, clean, safe space to pursue their creative endeavors, and when you remove barriers to that access, not only will the artists benefit, but the communities in which they work will benefit, as well,” said Stacy Handler, CEO & founder of Bloom Arts Strategy. “This space will now be filled with music, dance, theater, creative commerce, and more. I am grateful to MCB and Midtown for being such supportive partners in this endeavor and collaborating with us to bring this idea to life to serve Baltimore’s artistic community.”

Some of the events and classes are closed to the public, like most rehearsals for certain performances, and the MICA Mural Class with Ernest Shaw. Some groups, however, offer the occasional “open” rehearsal wherein the public is invited to watch. There will be rehearsals and performances by M.A.G.I.C. Center of the Arts, a Sip, Swap, & Shoot event hosted by The Stylette, and an art exhibition featuring works by Kelly L. Walker.

Wordsmith, the BSO Artist in Residence, will be holding workshops and rehearsals for the youth artists in his organization, Rise with a Purpose, as well as performances and events for his own band and work. Most rehearsals will be closed, but several are open to the public. The Fitzgerald Activation will also offer a holiday market curated and hosted by Birch & Pen, and a bi-monthly immersive storytelling event series called Zora’s Room celebrating Black culture, womanhood, and queer identity hosted by Good Quemistry.

For a full listing of The Fitzgerald Activation’s Fall 2024 groups, activities, and events, along with public viewing, attendance, and ticketing information, click this link.

Editor’s note: This article has been updated to correct the spelling of Stacy Handler’s name.

A person in Catonsville was rescued in dramatic fashion Wednesday after falling down a 30- to 40-foot well that had been covered with soil and grass. He had been there for nearly 24 hours when found on Wednesday afternoon.

The person was walking in the backyard of a residence when the grass gave way, revealing the hidden well and causing the person to fall three to four stories underground. The Baltimore County Fire Department said the person was taken to a hospital with serious but non-life-threatening injuries.

The Arbutus Volunteer Fire Department responded to a call for a confined space rescue, which means a person is trapped in a very small space, or is only accessible through such a space, like an underground vault, storage silo, storage tank, or sewer. These types of rescues require specialized technical training, and present potentially fatal hazards, as there is a limited window of time in which the rescue can be performed.

The entire rescue was caught on video by the SkyTeam 11 crew at WBAL TV. Helicopter Captain Roy Taylor hovered over the scene, and only spoke after the rescue was complete to say the man was conscious and talking but injured. The rescue took place around 2:50 p.m.

11 News reported that a nearby neighbor, Wesley Straffin, heard the man’s cries for help when he went into his backyard with his dogs. Straffin got his father from inside the house, and they followed the sound of the fallen man’s voice until they found the well and the man, who had been trapped since around 4:30 p.m. Tuesday, the day before.

The Straffins gave him water and called 9-1-1 for help, and said the fire trucks came quickly. The man was taken to Maryland Shock Trauma with non-life-threatening injuries.

In the approximately 17-minute video, viewers can watch the fire departments and rescuers preparing the operation, and at the approximate 14:40 mark, the person is lifted out of the hole and placed on the stretcher. Taylor doesn’t begin to speak until around the 16-minute mark.

This article was updated to reflect information about how long man was trapped and how he was discovered.

Baltimore Center Stage (BCS) will present a new adaptation of Jane Austen’s “Pride and Prejudice,” written by Kate Hamill.

The show will run for a limited engagement from Oct. 17 through Nov. 10. The production is presented in association with Arkansas Repertory Theater, and will be directed by BCS’s Senior Producer, Ken-Matt Martin.

“Kate has created a fresh, comedic take on the beloved novel that is fast-paced and filled with surprises, laughs, and romance,” Martin said. “This PRIDE & PREJUDICE is a timely theatrical retelling of literature’s greatest tale of latent love, and explores the insanity and exhilaration of finding your perfect (or imperfect) match in life.”

The story revolves around Lizzy Bennet and her sisters in Regency England, and Lizzy believes neither in marriage nor love. That is, of course, until the “handsome, amusing, and impossibly aggravating” man in the form of Mr. Darcy begins appearing everywhere, making Lizzy wobbly in her previously steadfast principles on the matter. Hamill’s take on “Pride and Prejudice” is described as “bold,” “playful,” and “progressive” — especially progressive regarding the expectations of and about women.

New York Magazine wrote, “Hamill’s Pride & Prejudice has fun and charm to spare…full of high spirits and genuine mirth.”

TheaterMania wrote, “Enough unsettling similarities between the 18th century and now to make us pause thoughtfully between laughs.”

Lizzy Brooks stars as “Lizzy Bennet,” Malik Esoj Childs as “Mr. Darcy,” Caro Dubberly as “Jane Bennet / Miss de Bourgh,” L’Oreal Lampley as “Mary / Miss Bingley,” and Lizzy Lewis as “Lydia / Lady Catherine.”

Single tickets can be purchased at centerstage.org or by calling 410.332.0033. Patrons can also visit the box office, located at 700 North Calvert Street, Baltimore, MD.

As if walking through the galleries of the National Aquarium wasn’t dream-like enough, imagine doing it in the evening, with original music inspired by ecosystem feedback loops performed live and echoing throughout.

Baltimoreans will have that opportunity during the sixth installation of Voyages, the National Aquarium’s adults-only event series where conservation, science, and art converge in a completely original experience.

On Thursday, Nov. 21, attendees will be immersed in this sonic journey courtesy of Baltimore-based recording artist, composer, and performer Dan Deacon. His original musical composition will be performed by a collective of Baltimore musicians, whose soundscape will flow throughout the Aquarium’s galleries.

Deacon was inspired by research at the Aquarium and insight from Patuxent Riverkeeper, Fred Tutman to create a piece based upon the concept of feedback loops. The term “feedback loop” refers to how natural systems react to environmental changes and how these same systems undergo exponential transformation.

He envisions guests interacting and engaging with the musicians, thereby influencing the music and helping shape the dynamic soundscape that evolves from their interactions. Deacon imagines this echoing the intricate balance found within different ecosystems.

“I hope voyagers leave (this upcoming chapter) feeling a greater connection to and role in the feedback loops they are a part of—their actual ecosystem, those around them, and within themselves,” Deacon said. “My favorite part about interaction is that even by choosing not to participate, you’ve interacted with the work that’s asking you to participate. That’s been an aspect of my performance practice for many years now, but I think this performance will expand upon it in ways I’ve never done before.”

He added, “I’m hoping the performance, and the audience’s role in it, will help highlight the endless fractalizing of the connectivity we all have with everything around us.”

After exploring the Aquarium’s exhibits, guests are invited to end their night with fellow voyagers at an exclusive after-party featuring an intimate performance by Deacon. The evening will also include a curated bar menu crafted by Cane Collective, alongside delicious offerings from local eateries, including Ekiben, Arepi, Sistah’s Sweets, and Crust by Mack. 

Voyages: Chapter 6 takes place on Nov. 21, from 7 p.m. – 11 p.m. This event is for guests 21 years of age or older. Tickets cost $60. To learn more about the experience, and purchase tickets, click this link.

 The Aquarium is located at 501 E. Pratt Street, Baltimore, MD.